Thank You For The Music
Daily Reviews of albums by different artists from random years. Just another person offering their views but in a detailed,track by track way, going against the instantenous music situation of today.
Monday, 21 April 2014
Song of the Week April 21st 2014
Song of the Week- Black Widow by Iggy Azalea featuring Rita Ora, from the album The New Classic
As she currently rides high on the chart success of her latest single 'Fancy', Australian rapper Iggy Azalea has released her first full length album, The New Classic. One of the shining gems of the set is Rita Ora collaboration Black Widow. Already poised to be the sets next single, the track is a smart slice of sophisticated pop infused with a cool dose of hip hop. Lyrically the track finds Ora and Azalea taking on the roles of powerful girlfriends who are going to love their men until they hate them. Co-written by hit songstress and all-round superstar Katy Perry, the tracks chorus is a razor sharp, excellent piece of work that is brought to life by the smooth and sultry vocals of Ora, whilst Azalea provides some crisp rap verses that act as the perfect complimentary piece to the package. The production straddles the line of clinky hip hop and bubbly pop with it's combination of snappy trap beats and chart ready, strobing synths, and makes for a track that will potentially appeal to both the masses and the hardcore hip hop fans. Black Widow is just a dark but fun song that works as the ideal single choice, and with Katy Perry having already enjoyed her own bout of success with the pop and trap combo in the form of the track 'Dark Horse', it might just be a matter of time before Black Widow is being played all over radio stations worldwide.
Monday, 14 April 2014
Song of the Week April 14th 2014
Song of the Week-
Sing by Ed Sheeran, from the album x
The first time that I heard Ed Sheeran’s latest single, I
was a bit premature in my judgement: the song has more than a whiff of Justin
Timberlake about it, and was produced by the man of the moment, Pharrell
Williams, who maybe is becoming overexposed. But on repeated listens, I have
become immune to the charms of the track and the power that Sheeran has. The
song lyrically finds Sheeran telling his girl of how he needs her and just
wants him and her to feel that rush of love. The song finds Sheeran on strong
lyrical form, wielding his strong singer-songwriter sword but not allowing that
to compromise on some slick rapping and a solid lyrical hook. Vocally the track
is also great as we get to hear a range of different tones to Sheeran’s voice,
with the rapping and singing acting as perfect complimentary components that
show this isn’t just a one trick pony. What is more impressive is Sheeran’s
falsetto, which he just uses to brilliant effect, and is something that I
perhaps foolishly didn’t believe this artist had in them. Pharrell does a solid
job with the funk driven production, with the clattering guitar riffs and
overall groove of the track having his signature style. But at the same time
the production is just infectiously fun, and whether it is typical of Pharrell
or not, Sheeran still brings his penmanship and artistic credibility in
abundance, and shows that he is firmly in the driving seat. Sing is for me an
unexpected offering from Ed Sheeran, and definitely shows the markings of an
artist who is progressing, which is just a great thing, particularly when he
does it so well.
Monday, 7 April 2014
Song of the Week April 7th 2014
Song of the Week- Extraordinary by Clean Bandit featuring Sharna Bass, from the album New Eyes
Not content with ruling the worldwide charts with their
smash hit single ‘Rather Be’, British group Clean Bandit are gearing up to
release the equally brilliant follow up Extraordinary. In many ways this new
track works in the same way as ‘Rather Be’ in terms of enchanting audiences. Clean
Bandit deliver a complex tune that combines a cool array of garage beats and
classical string arrangements, with some italo piano thrown into the mix for
good measure, and overall delivering a sound that is powerful to hear and instantly recognisable.
Once again the group also show that they don’t simply collaborate with people
for the sake of collaborating. Sharna Bass brings a strong vocal performance
that brings out this awesome sense of euphoria, whilst differing from previous Clean
Bandit collaborator Jess Glynne through having a touch more depth to her vocals
and bringing out a slight melancholic tinge to the euphoria in places. The song
lyrically focuses on Bass telling this person of how people create
extraordinary things in life, and she asks this person to say that they will be
with her and feel the same way as she does. The lyrics focus on that simple
statement of please reciprocate my feelings, but the song is lyrically
intricate in a way that is immediately catchy but also doesn’t lack that sense
of depth that can sometimes come out when a song is too commercial. Clean
Bandit are definitely the stars of 2014, and the only annoying thing about this
song is that now it has got me really excited for their debut album, but that
has unfortunately been pushed back and isn’t to be released until early June.
Until then, let us all just revel in the brilliance of Extraordinary.
Monday, 31 March 2014
Song of the Week March 31st 2014
Song of the Week- I
Will Never Let You Down by Rita Ora featuring Calvin Harris
When I heard a snippet of this song featured in a Rimmel
advert it definitely had me excited, and now that I have heard the full song, I
can definitely say that this is the perfect track to kick off things for the
release of Rita Ora's upcoming sophomore album. The track is a bubbly, upbeat
dance pop number that finds the singer riding high on a wave of love. Lyrically
the singer expresses feelings of joy as she tells this person that she will
always be there for them, even when they think they have had enough of life.
Wrapped around a deliciously rich pop chorus, the song finds Ora in fine vocal
form, as she utilises the range of her voice to create a delicate flow to the
track and allow both herself and the listener to bask in this warm euphoria. Production
wise the singer has a perfect partner in the form of current boyfriend and hit
making DJ, Calvin Harris. Whilst the dance beats of the song definitely have a
signature Harris feel, the overall production is a soaring piece of dance music
driven by slightly funky guitar riffs, creating the perfect pop sound to extend
the feeling of euphoria. And once again Harris shows why he is the go to collaborator
for today’s commercial music scene, because he brings out the best of Ora
whilst not compromising on her artistry. If you are feeling a bit down at the
moment, then give I Will Never Let You Down a listen, because it just might
perk you up, and have you loving life for a blissful three minutes.
Monday, 24 March 2014
Song of the Week March 24th 2014
Song of the Week-
Stupid Little Things by Anastacia, from the album Resurrection
From the moment that I heard the new Anastacia track Stupid
Little Things I just fell in love with it, and knew that this was an artist
making a bold comeback in the music industry. I have always been a fan of
Anastacia, and whilst previous songs like ‘I’m Outta Love’ and ‘Left Outside
Alone’ might be really guilty pleasures, they are also classic pop songs of a
high calibre. Stupid Little Things finds Anastacia hitting that familiar stride
of bold, big vocals and simple, lightly clichéd pop lyrics, but she performs
with such a finesse and passion that you automatically jump on board. The song
focuses on the singer telling herself and us that she has to rid herself of the
little things in life and just let go so that she can enjoy the world and be
with this person. The chorus immediately grabs your attention, with the
catchiness of the song definitely being elevated by the singer’s impeccable
vocal performance. Adding both drama and euphoria to the track, Anastacia is
just vocally so strong, with the quirky delivery of the line ‘stupid little
things’ being a signature style that marks this as a track that only works for
this artist, because she was meant to record it. The stomping pop rock
production with the booming bass and feisty guitar riffs is a perfect pop sound
that acts as an equally as bold comeback sound for the singer as the lyrics and
vocals, and works in perfect syncs with all of the tracks other components.
Stupid Little Things is a great pop track that will see Anastacia continue her
great track record or delicious pop songs, and shows her resilience as a human
being and just an awesome artist.
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